Raifee, MA - References
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www.ccsenet.org/elt English Language Teaching Vol. 3, No. 4; December 2010
The Application of Humorous Song in EFL Classrooms and Its Effects
on Listening Comprehension
Marzieh Rafiee (Corresponding author)
Isfahan, Iran
Tel: 91-34-112-187 E-mail: rafiee_marzieh@yahoo.com
Zohre Kassaian
Assistant Professor, English Department, University of Isfahan, Isfahan, Iran
Tel: 91-31-100-267 E-mail: Z_kassaian@yahoo.com
Hossein Vahid Dastjerdi
Associate Professor, English Department, University of Isfahan, Isfahan, Iran
Tel: 91-33-181-520 E-mail: h_vahid@yahoo.com
Abstract
Language learners need to feel secure and to be free of stress so they can focus on language tasks (Ellis, 1994). A
language teacher should use different tools to encourage students and make them involved in learning process.
Humor and song are effective tools, as they develop creativity and make the class environment an appropriate
setting for language learning. This paper examines the effects that humorous songs may have on listening
comprehension and on immediate and delayed recall by a group of EFL learners. To achieve this aim, an
experimental research study was conducted in Iranian English Institutes. A pre-post design was applied to explore
whether humorous songs could enhance listening comprehension in EFL learners. The findings show that the
experimental group outperformed the control group in a listening comprehension test, but humorous songs' effect
does not make much difference between immediate and delayed recall test scores.
Keywords:
Humor, Song, Listening comprehension, EFL learners
1
.
Introduction
With the decline of the dominance of structural syllabi in EFL classrooms, humor was implicitly reintroduced
alongside a new emphasis on its authentic, relaxed and creative effects in language learning (Byrant, Comisky &
Zillman, 1979; Zillman and Byrant,1983). Humor actually came to be employed to produce a resourceful
encouraging lesson, not only for elementary levels, but also at upper-intermediate and advanced levels.
The concept of humor is associated with the concept of interest, laughter, smiling jokes, ect. The effects of humor in
language classrooms could be the injection of motivation, removing anxiety and stress and creating a comfortable
environment for foreign language learners (Deneire, 1995). Humor can be regarded as a reinforcing tool to make
students remember what they should know about the central part of every culture and also know something about
the traditions and beliefs of that culture (Guegan & Fisher, 1975). Higbee (1996) believes that attention is one of the
key factors in learning, as students need to pay attention to a concept in order to remember it. Also Girdfanny (2004)
advises teachers to use humor in language classrooms because when they use it, the students pay more attention in
order to not miss any of the jokes or witticisms. Beside that, humor can open students to new ideas and increase
their motivation, because they are more willing to take risks and view mistakes as opportunities for learning (ibid: p,
18).
Humor can have positive effects on students in communication classrooms where the accent is on verbal authentic
communication, participation and interaction (Provine, 2000). As Provine puts in" humor can allow the shy or timid
students in the class to participate with the group." He believes that if it is used properly, humor allows the students
to feel a part of class and possibly contribute without losing face, feeling exposed or vulnerable (ibid: p. 58).
Beside the effects of humor, one can regard the effects of song in language learning. Song can have a two-fold effect
in the process of language learning. The first effect is the one like humor, as a tool to release the tension and anxiety
caused by the process of language learning (Langfit, 1994). The other aspect of song is its relationship with the
underlying principles and the mental processing of language at the metalevel (Fiske, 1993; Heller & Campbell, 1981;
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Sloboda, 1985; Swain, 1986).
Researchers agree that infants learn their native language by principles that make sense of aural information so that
it can be reasonable to approach language acquisition in a similar way (Jackendolf, 2003) and because song is also
acquired through the aural sense, musical activities can be suggested as an aid in second language acquisition.
Until recently, research on the use of humor and song as a pedagogical tool in the foreign language classroom has
been rare. Although numerous studies have shown positive effects of humor (e.g. Morkes, J., Kernal, H., and Nass,
C. , 2000; Tosta, Antonio Luciano, 2001; Burgess, R, 2000; Bell, N.D. ,2005) and song in language classrooms
(e.g. Kumai, N., & S. Timson, 2006; Wallace, W. T. , 1994; Gromko, J. , 2005), the intention to use humor and song
in the classroom has still been met with ridicule and joking. There are teachers and researchers who believe that
although students are enjoying in these kinds of classes, they are not learning anything.
Regarding the points mentioned above, the present study aims to find the answer to the following questions:
1. Does applying humorous song in EFL classrooms improve learners' listening comprehension?
2. Does applying humorous song in EFL classrooms have a greater effect on the learners' immediate recall compared
to their delayed recall?
1.1 Related Literature Review
Researches within the field of education and other closely related disciplines of the social sciences have approached
the study of humor from two distinct perspectives. The first is concerned with the direct effect of humor on learning
and information retention. That is to say many researchers have investigated whether humor has a direct effect on
improvement in both information gain and retention (e.g. Snow, 1992; Barfield, Dycus, Mateer, & Melchior, 1998)
The second perspective examines the possible effects of humor on the general classroom environment and its
indirect effects on learning. In this study, the focus is on the second perspective because the second one has proven
to be more fruitful in terms of measurable effects (see Krashen, 1981, 1982; Horwitz, 1986; MacIntyre, 1995).
Attempts of creating a compassionate environment in the classrooms have the root in Humanistic teaching and
Suggestopedia Approach which will be briefly explained below:
1.1.1 Humanistic Teaching
Humanistic approach to teaching tries to secure a positive atmosphere before a learner begins an effort to remove the
possible negative effects of language learning. This approach emphasizes the role of activities in making students
feel relaxed and remember the happy times of their lives (Moscowitz, 1987) Therefore one of the milestones of
this approach is to deal with the
eradication of anxiety.
1.1.2 Suggestopedia
According to Bancroft (1997), one of the unique features of this method is to have a relaxation session for
unconscious assimilation of the lesson materials. He also adds, "the students are trained to breathe deeply and
rhythmically in harmony with the teacher's voice" (p. 193), in order to eradicate those psychological barriers to
learning. In this method, music has the function of increasing self-esteem through increased self-satisfaction in
musical performance and also to energize and bring order (Richards, 2001).
In addition to these approaches and schools of thought, many researchers have investigated such indirect effects of
humor in more specific environments. In a departure from the previous humor related research, a qualitative study of
college students about the effects of appropriate humor uses on classroom environment was carried out. The students
were given two open-ended questions about their teacher's applications of humor in classroom. The researchers
identified eight major categories of appropriate and inappropriate humor, with 47% of the appropriate examples
being related to course content-college. Findings also show that students found this type of humor can make the
classroom more interesting, more improved_ classroom climate and also it helps students recall information more
easily and conveniently. In this study, one subcategory of appropriate "related humor" was using media or external
objects (e.g. cartoons) to enhance learning. (Wanzer, Frymier, Wojtaszczyk & Smith, 2006).
In a similar study relating the use of humorous objects in classrooms, Rule and Schneider (2009) found that the
appropriate use of humor is beneficial in classrooms in K-12 settings. The use of humor cartoons to teach concepts
and vocabularies enhance students' motivation and understanding of content, deepen their recall and serve to
integrate the valuable realm with the verbal to better meet students' needs and styles." (ibid: p, 7).
The importance of song and music in language learning roots in the works of Gardner's "Multiple Intelligence
Model" (1993). This model proposes as view of natural human talents. Gardner (1993) claims that his view of
intelligences is culture free and avoids the conceptual narrowness usually associated with traditional models of
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intelligence. The fourth talent proposed by Gardner is the musical talent which is having a good ear for music, as is
strong in singers and composers. The idea of Multiple Intelligences helps teachers and parents to recognize their
learners'/children's particular gift and provide learning activities based on those inherent gifts (Richards & Rogers,
2001).
More recent researchers also point out the significance of employment of song in language classrooms. In a study,
Schon et al (2007) compared language learning based on speech to language learning based on sung sequences.
They hypothesized that, compared to speech sequences, a consistent mapping of linguistic and musical information
would enhance learning. Results confirmed the hypothesis showing a strong learning facilitation of song compared
to speech. Most importantly, the study shows that learning a new language, especially in the first learning phase
wherein one needs to segment new words, may largely benefit of the motivational and structuring properties of
music in song.
2. Methodology
In this section, the methodology used to elicit and analyzed of data is to be explained.
2.1. Participants
Thirty female students who studying at the Iranian institutes of English language were asked to fill up a background
questionnaire (see Appendix 1) and also take a listening test at the beginning of the study. This test aimed to match
the participants and make them more homogenized. The study was begun with 30 female EFL learners at the
intermediate level in 15-25 age groups. Because the study had an experimental research design, the following ways
to simply randomize the participants were used; each female participant was given a number from 1 to 30. Those
who had odd numbers were categorized as control group and those with even numbers as experimental one.
2.2. Materials
A standard proficiency listening test (TOEFL Test, version 2009, see Appendix 2) was given to participants to
determine their listening proficiency level. After instruction, the participants were tested by the same test to see if
there is any difference between their test scores. The study was based on the use of humorous songs in EFL
classrooms. For this purpose, the poems written and sung by Shel Silverstein were chosen. Shel Silverstein
(1930-1999) was an American poet, singer-songwriter, musician, composer, cartoonist, screenwriter and author of
children's books. Silverstein confirmed that he never studied the poetry of others and therefore developed his own
quirky style: laid-back and conversational, occasionally employing fancy and jokes.
2.3. Procedure
Most English institutes in Iran use Interchange book series as their course material, therefore these kinds of institutes
were chosen to further homogenize the participants. Each lesson in the book has at least 7 minutes listening part.
Before the treatment, the participants were given a standard proficiency listening test to determine their listening
proficiency level. Different listening activities of the course materials were selected to be given to participants as the
pre-test. The participants have not done these activities before, therefore the listening parts were unheard by them.
During learning phase, participants were told they would listen for several minutes to a song (see Appendix 3)
immediately after they worked on the course material. The participants listened to songs for seventeen sessions
(each session lasted 90 minutes). The instructors were required not to ask any questions after the songs ended to be
sure that the students were relaxed while listening to the songs. Immediately after the treatment ended, the same
listening activities were given to the participants, as the post-test, to measure their immediate recall. After 3-weeks
of interval, without any listening activities, participant took the same selected listening test to measure their listening
enhancement in terms of their delayed recall. The results will be discussed in the following section.
3. Results and Discussion
This study attempts to find answers to two questions; the effect of applying humorous song on listening
comprehension of EFL students and also its effect on EFL students' immediate and delayed recall. The result section
presented in two parts; the first part deals with the analysis of control and experimental groups and the second one,
which is an intra-group analysis, is the statistical analysis of experimental group.
3.1 Statistical Analysis: Part 1
Table 1 shows the descriptive summary of information needed for each of the control and experimental groups. Test
1(both A and B) is the test given to the control group and Test 2 (both A and B) is given to the experimental group.
As it is shown in table 1, the mean in each group in the pretest is almost the same; it indicates the homogeneity of
participants. But after the treatment, the mean in the posttest of experimental group has increased, compared to the
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posttest in control group.
In table 2, the statistical analysis of a paired-samples t-test taken by SPSS 15.0 is displayed:
A paired-samples t-test was conducted to evaluate the impact of the intervention on students' scores on the listening
comprehension test. There was a statistically significant increase in listening comprehension test from the second
test part A (
M
=41.33,
SD
=10.60) to part B (
M
=54.00,
SD=
10.55),
t(
29)= -4.219,
p
≤ 0.05. The eta scored statistics
(0.07) indicated a moderate effect size (according to Cohen, 1988). As regards the first group, i.e. the control group,
p. value is more than 0.05, therefore, the difference between two pairs is not significant.
Figure 1 shows clearly how the means in two groups differ in pre and posttest.
3.2 Statistical Analysis: Part 2
In this part, the descriptive and statistical analysis needed for answering the second research question, i.e. the effect
of song on students' immediate and delayed recall, will be discussed. The table below shows the descriptive analysis
of these two groups:
In table 4, the mean in intra-group analysis has changed and increased to some extent. Because this experiment had
small samples, and the data did not meet the stringent assumptions of the parametric techniques, a Wilcoxon Signed
Rank Test was conducted to measure the effect of song on participants' immediate and delayed recall. Table 2 shows
the result.
As it is indicated in the table, the sig. level is not equal to or less than 0.05 therefore it can be concluded that the two
sets of scores are not significantly different.
4. Conclusion
This study attempted to shed more light on the use of humor and song on Iranian EFL students. It aimed to find the
answer to two research questions; the effect of humorous songs on participants' listening comprehension and the
effect of song on participants immediate and delayed recall. The outcome of this study substantiates the initial belief
regarding the fact that experimental group learners were able to enhance their listening comprehension skill and
humorous songs have a moderately large effect on their listening comprehension scores. As regards the second
question, the difference between participants' scores in immediate recall test and delayed recall test was not
significant and therefore song does not have impact on participants in this regard.
The research presented here is part of a vast amount of literature that provides evidence for the benefits of humor
and song in language classrooms. The majority of empirical studies conclude that humor and song have positive
effects on the language learners, regarding the way these tools create a constructive learning atmosphere and
eradicate possible negative affective factors such as lack of self-confidence, of motivation, the existence of anxiety
and stressful environment.
Besides, humor and song are not just to help learners to get rid of their psychological barriers but also may provide
numerous benefits to language learners. As Medina (1990) concludes about the importance of song, and certainly
humor, "the use of music to promote second language acquisition should occupy a more important role in the second
language curriculum. This can easily be accomplished by increasing the frequency with which songs are used in the
curriculum”, therefore they are instructional tools every teachers can use.
Regarding the implication of this study, it can be mentioned that the most important contribution of this study will
be its classroom applications. If learners are in settings in which the environment is creative and enjoyable, their
motivation for learning English would increase and anxiety and stress would decrease.
The results of this study can be useful for material designers as well. If they consider the significance of humorous
songs in classrooms, they can provide books with these kinds of materials to create more relaxing process of
language learning for learners.
Another implication of the research will be for EFL teachers. They should teach language in such a way that they
can increase learners' motivation and interest by applying any existing tools, including humorous song.
However this study has certain limitation. The sample gathered for the experiments was small in number; therefore,
the results tend to be tentative. Furthermore, in order to obtain better results it is of great importance to develop
materials adapted to non-native learners. If the materials used in this study are to be used in a foreign language
classroom, they should be in higher quality sound and slower text reading pace.
A great deal stands to be gained through further study of humorous song in EFL context. Thus, it would be
interesting to compare the effect of humorous song between different proficiency levels. Also it would be useful to
carry out a further research on humorous song between male and female EFL students and compare the results.
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